Teodora Barla - Piata Locala a Muzicantilor Clujeni - C1

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Teodora Bârla Teodora Bârla, UBB Cluj-Napoca Facultatea de Sociologie şi Asistenţă Socială MA Antropologie Aplicată Noi direcţii în antropologia muzicii: Noi direcţii în antropologia muzicii: piaţa locală a muzicanţilor clujeni piaţa locală a muzicanţilor clujeni o analiză pe patru dimensiuni – o analiză pe patru dimensiuni – Cluj-Napoca, 2011

Transcript of Teodora Barla - Piata Locala a Muzicantilor Clujeni - C1

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Teodora BârlaTeodora Bârla, UBB Cluj-NapocaFacultatea de Sociologie şi Asistenţă SocialăMA Antropologie Aplicată

Noi direcţii în antropologia muzicii: piaţa Noi direcţii în antropologia muzicii: piaţa locală a muzicanţilor clujenilocală a muzicanţilor clujeni

– – o analiză pe patru dimensiuni –o analiză pe patru dimensiuni –

Cluj-Napoca, 2011

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CELE PATRU DIMENSIUNICELE PATRU DIMENSIUNI

1.1. Mediul;Mediul;

2.2. Actorii sociali;Actorii sociali;

3.3. Interacţiunile;Interacţiunile;

4.4. Procesualitatea.Procesualitatea.

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FORMAREA PIEŢEI MUZICALE CLUJENEFORMAREA PIEŢEI MUZICALE CLUJENE

Ramificarea industriilor şi serviciilor de loisir şi Ramificarea industriilor şi serviciilor de loisir şi entertainmententertainment;;

Fragmentarea şi diversificarea gusturilor şi nevoilor Fragmentarea şi diversificarea gusturilor şi nevoilor de loisir si entertainment;de loisir si entertainment;

Calitatea de oraş universitar şi multicultural a Calitatea de oraş universitar şi multicultural a municipiului Cluj-Napoca “capital studenţesc”;municipiului Cluj-Napoca “capital studenţesc”;

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PIAŢA MUZICALĂ CLUJEANĂ, CA PIAŢA MUZICALĂ CLUJEANĂ, CA “NIVEL INTERMEDIAR”“NIVEL INTERMEDIAR”

Dimensiunea procesualităţii:Dimensiunea procesualităţii:– Graniţele relative – spaţii (zone) simbolice:Graniţele relative – spaţii (zone) simbolice:

UndergroundUnderground NIVELUL INTERMEDIARNIVELUL INTERMEDIAR MainstreamMainstream

““ideal artistic” vs. “prostituţie muzicală”ideal artistic” vs. “prostituţie muzicală”

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ARTIŞTII LOCALI ŞI MUNCA MUZICALĂARTIŞTII LOCALI ŞI MUNCA MUZICALĂ

Profesionalismul în muzică (a fi “profi”);Profesionalismul în muzică (a fi “profi”); Şcoală vs. auto-şcolire;Şcoală vs. auto-şcolire; Importanţa uceniciei;Importanţa uceniciei; Performarea muzicii şi performarea sinelui Performarea muzicii şi performarea sinelui

muzical;muzical; Backstage şi frontstage; Backstage şi frontstage;

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ÎN CONCLUZIE:ÎN CONCLUZIE:

““Camera cu pereţi interiori de oglindă si pereţi Camera cu pereţi interiori de oglindă si pereţi exteriori de sticlă transparentă”exteriori de sticlă transparentă”

- Interşanjabilitatea rolurilor;Interşanjabilitatea rolurilor;- Relativitatea graniţelor;Relativitatea graniţelor;- Comprimarea timpului şi a spaţiului;Comprimarea timpului şi a spaţiului;- Restructurarea artei si reconfigurarea muncii Restructurarea artei si reconfigurarea muncii

muzicale;muzicale;- Regeneralizarea pieţei muzicale locale clujene la Regeneralizarea pieţei muzicale locale clujene la

nivel macro.nivel macro.

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Karibe BalkanikaKaribe Balkanika

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