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DASCAL, R. (2005)BRITISH STUDIES COURSE. BUCURESTI:MINISTERUL

EDUCATIEI SI CERCETARII

(DASCAL, 2005 : 44-45)GAVRILIU, E. (2000)BRITISH HISTORY AND CIVILIZATION. GALATI :

UNIVERSITATEADUNAREA DE JOS

(GAVRILIU, 2000 : 44-55 )NICOLESCU, A. (1983)BRITISH LIFE AND CIVILIZATION. BUCURESTI:

DIDACTICA SI EDAGOGICA

(NICOLESCU, 1983 : 24-32 , 45-51 )!ARNEC"I, G. (1951)ENGLISH ROMANESQUE SCULPTURE, 1066-1144.

LONDON: ALEC TIRANTI LTD

Although we know that Norman influences were felt in Englandfor a decade or two earlier, the year of the Conquest provides a useful, conventional datewith which to mark the beginnings of Anglo-Norman art.!"

#y $omanesque art in its widest sense we understand the art that followed the lateantique period and lasted until the %othic& the vital period of transition from classical tofully developed medieval art. 'n a narrower sense it is the art of the eleventh and twelfthcenturies("

Normansculpture of the eleventh century was strongly influenced by )i*on.+"

ne might haard a guess that even without thepolitical conquest England would eventually have adopted the Norman form of$omanesque art, modified perhaps by influences from other parts of rance or even%ermany. Not unnaturally, the process ofNormanisation became very rapid almostimmediately after the #attle of /astings. 't

was 0illiam the Conqueror1s deliberate policyto appoint Normans as bishops and ab

bots in England and to draft monks fromNormandy. +"

Not without reason, theNormans considered Anglo-2a3on church architecture inferior to their own and missed noopportunity of erecting new buildings that in scale even surpassed their Norman models.2oon most of the great churches of England were in this new Anglo-Norman style. 4hefeverish building activity that characterises this early Anglo-Norman period produced suchsuitable conditions for e3periments and improvements that by the end of the eleventhcentury the Anglo-Norman builders created a monument that must be regarded as alandmark in the architectural history of western Europe5& )urham Cathedral, the firstbuilding to be roofed with ribbed vaulting

.6"

%eometrical sculpture was very common inNormandy throughout the $omanesque period and it was under direct Norman influencethat it became popular in England.78"

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ne of the most characteristic features of early Anglo-Norman architecture, and onethatthrows some light on its formative sources other than those coming from Normandy, isthe cubic or more commonly called cushion capital 79"

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