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UNIVERSITATEA BABE -BOLYAI DIN CLUJ-NAPOCAFACULTATEA DE LITERE

PROGRAMA ANALITICA 2010-2011

Cod Discipline Credit Nr. ore/ sptmn

Felul verificrii C S Cp

LK11179 Tragedia antic 4 2 1 E

Descriereadisciplinei(n limba romn)

Cursul i propune s ofere o panoram a temelor tragediei greceti, relevnd ritualurile i simbolurile mitice ce motiveaz

aciunea unor personaje paradigmatice precum Oedip, Oreste, Electra, Medeea, Antigona, Fedra etc. Aceste figuri ilegende sunt apoi urmr ite, ntr- un demers comparatist, n diferitele lor reeemergene n teatrul renascentist i clasic,modern i postmodern. Cursul ofer o perspectiv sintetic asupra defini iei i originilor tragediei grece ti, analizndconceptul de hybris, conceptul de destin, func ia corului antic, conflictul zei-oameni. Sunt analizate, de asemenea, diverseritualuri, sacrificii, purificri, aa cum apar n tragedia greac, precum i elementele oculte adiacente (oracole, ghicitori,incanta ii, vrji). Cursul radiografiaz ciclurile violen ei din tragedia greac, statutul zeilor i al sacrului, precum i variidispute religioase (conflicte ntre culte).

BibliografieEschil, Orestia , Bucureti, Editura Univers, 1979 Sofocle, Teatru , Bucureti, EPL, Bucureti, 1965 Euripide, Teatru , Bucureti, Editura Univers, 1996, 1998 J. Racine , Teatru , Bucureti, ESPLA, 1959 Jean Giraudoux, Rzboi cu Troia nu se face , Bucureti, EPL, Bucureti, 1966 Eugene ONeill, Din jale se ntrupeaz Electra n Teatru (II), EPLU, Bucureti, 1968 Jean Paul Sartre, Mutele n Teatru (I), Bucureti, EPLU, Bucureti, 1969

LK11179 Ancient tragedy 4 2 1 E

Descriereadisciplinei(tradusn limba englez)

The course aims to provide a panorama of Greek tragedy themes, emphasizing rituals and mythical symbols whichmotivate the action of such paradigmatic characters as Oedipus, Orestes, Electra, Medea, Antigone, Phedra, etc. Thesefigures and legends are then dwelt upon in a comparative approach in their various re-emergences in the Renaissance andclassical theatre, modern and postmodern theatre. The course aims also to provide a synthetic perspective on the originsand definition of the greek tragedy, analyzing the concept of hybris, the concept of fate, the function of the greek choir, theconflict between gods and men. The course also focuses on different rituals, sacrifices, purifications and occult elementsthat appear in the greek tragedy (like riddles, oracles, incantations, witchcrafts). There is a special insight on the violentcycles of life, the status of gods and of the sacred, different religious disputes (conflicts between cults).

BibliographyEschil (Aeschylus), Orestia (Oresteia) , Bucureti, Editura Univers, 1979 Sofocle, Teatru (Theatre) , Bucureti, EPL, Bucureti, 1965 Euripides, Teatru (Theatre) , Bucureti, Editura Univers, 1996, 1998 J. Racine , Teatru (Theatre) , Bucureti, ESPLA, 1959 Jean Giraudoux, Rzboi cu Troia nu se face (The Trojan War Will Not Take Place) , Bucureti, EPL, Bucureti, 1966 Eugene ONeill, Din jale se ntrupeaz Electr a (Mourning Becomes Electra) in Teatru (Theatre) (II), EPLU, Bucureti,1968

Jean Paul Sartre, Mutele (The Flies) in Teatru (Theatre) (I), Bucureti, EPLU, Bucureti, 1969

Data: Semntura titularului de disciplin, Semntura efului de catedr,