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Universitatea Babes-Bolyai, Cluj-NapocaFacultatea de Istorie i FilosofieAnul universitar 2008-2009Semestrul I

I. Informaii generale despre cursTitlul disciplinei: Seminar metodologic Introducere n metodologia arteiCodul: HRR 3107Numrul de credite: 7Locul de desfurare: sala 57, cldirea EchinoxProgramarea n orar a activitilor: luni 16.00-18.00.

II. Informaii despre titularul de cursNume, titlul tiinific:Vlad OCA, lector, doctorInformaii de contact: vtoca@hiphi.ubbcluj.roOre de audien: mari 14.00-16.00

III. Descrierea disciplineiIstoria artei este o disciplin relativ recent. Dezvoltarea disciplinei ns a fostimpetuoas ncepnd cu sfritul secolului al XIX-lea. Secolul trecut a cunoscut omare diversificare a metodelor de abordare i de cercetare. Acestea au aprut nstrns legtur cu alte sisteme de gndire care au nflorit n Europa i America naceast perioad.Scopul acestui seminar este cunoaterea acestor idei care au dus la formareadisciplinei aa cum o cunoatem astzi. Vor fi parcurse texte fundamentale aleunor istorici de art i gnditori importani care au influenat dezvoltarea acestuidomeniu. De asemenea, un al doilea scop este familiarizarea studenilor cu diferiteformate de text n care istoricul de art se exprim.

IV. Bibliografia obligatorie:- ECO,UMBERTO: Cum se face o tez de licen. Craiova: Pontica 2000. pp.

9-16; 157-168. (B.C.U.)- KULTERMANN, UDO: Istoria istoriei artei. Bucureti: Editura Meridiane,

1977. (B.C.U. B.C.U., filiala istoria artei)- Pcht, Otto: The Practice of Art History. London: Harvey MillerPublishers, 1999. (B.C.U., filiala istoria artei)

- HYDE MINOR, VERNON: Art Historys History. Englewood Cliffs, NewJersey: Prentice Hall, 1994. cap. Sociological and Marxist Perspectives.(B.C.U., filiala istoria artei)

V. Materialele folosite n cadrul procesului educaional specificdisciplinei:

Cursul se bazeaz pe cteva culegeri de texte existente n bibliotecile facultii

dar i pe un material vizual variat din banca de imagini a catedrei de Istoriaartei. Aceste imagini sunt stocate pe suport de celuloid (diapozitive) sau pe

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suport electronic care vor fi proiectate cu a aparate de proiecie (diaproiectoarei calculatoare i videoproiectoare) din dotarea catedrei.

VI. Planificarea/Calendarul ntlnirilor i a verificrilor/examinrilorintermediare:

- 1 octombrie 2006: Introducere. Istoria artelor: tipuri de abordri, tipuride texte. Cum alegem forma unui text. Motivaia exprimrii n scris.

NELSON,ROBERT S.SHIFF,RICHARD(eds.): Critical Termsfor Art History2. Chicago and London: The university ofChicago Press, 2003. cap. At the Place of a Foreword:Someone Looking, Reading, and Writing i cap. 12: ArtHistory.

BALDWIN,MICHAELHARRISON,CHARLESRAMSDEN,MEL:Art History, Art Criticism and Explanation. n FERNIE,ERIC (ed.):Art History and Its Methods: A critical

Anthology4. London: Phaidon, 1999. GOMBRICH,SIR ERNST H.:Norm i form. Studii despre arta

renaterii. Bucureti: Editura Meridiane, 1981. cap. Norm iform. Categoriile stilistice ale istoriei artelor i obria lor nidealurile Renaterii.

ECO,UMBERTO: Cum se face o tez de licen. Craiova:Pontica 2000. pp. 9-16; 157-168.

- 8 octombrie 2006: Importana aparatului critic. Folosirea aparatuluicritic. Determinismul. Metoda morfologic. Morelli. Formalismul.

ECO,UMBERTO: Cum se face o tez de licen. Craiova:Pontica 2000. pp. 168-198.

KULTERMANN,UDO:Istoria istoriei artei. Bucureti: EdituraMeridiane, 1977. vol. 2, cap. XI. Realitatea i metoda.

GUY MARICA,VIORICA:Ipostaze ale picturii moderne.Bucureti: Editura Meridiane, 1985. cap. III. Anti-impresionismul i cap. VI. De la Grigorescu la Petracu.

- 15 octombrie 2006: coala vienez de istoria artei. Direcii ievoluie.coala german.

KULTERMANN,UDO:Istoria istoriei artei. Bucureti: EdituraMeridiane, 1977. vol. 2, cap. XV. coala vienez de istoriaartei i cap. XVI. Descoperirea formei.

RIEGL,ALOIS:Istoria artei ca istorie a stilurilor. Bucureti:Editura Meridiane, 1998. pp. 5-34; 43-144.

WLFFLIN,HEINRICH:Principii fundamentale ale istorieiartei. Bucureti: Editura Meridiane, 1968. pp. 5-77.

- 22 octombrie 2006: Sociologia artei. Marxismul i istoria artelor. HYDE MINOR,VERNON:Art Historys History. Englewood

Cliffs, New Jersey: Prentice Hall, 1994. cap. Sociological andMarxist Perspectives.

ANTAL,FREDERICK: Clasicism i romantism. Bucureti:Editura Meridiane, 1971. cap. Puncte de vedere asupra

metodei n istoria artei.

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HAUSER,ARNOLD: The Philosophy of Art. Cleveland andNew York: Meridian Books, 1967. cap. I Introduction: TheScope and Limitations of a Sociology of Art; i cap. II TheSociological Approach: The Concept of Ideology in theHistory of Art.

- 29 octombrie 2006: Psihologia i istoria artei. Psihanaliza. GOMBRICH,SIR ERNST H.:Art i iluzie. Bucureti: Editura

Meridiane: 1973. cap. Psihologia i enigma stilului. HYDE MINOR,VERNON:Art Historys History. Englewood

Cliffs, New Jersey: Prentice Hall, 1994. cap. Psychoanalysisand Art History.

HAUSER,ARNOLD: The Philosophy of Art. Cleveland andNew York: Meridian Books, 1967. cap. III The PsychologicalApproach: Psychoanalzsis and Art.

OROVEANU,ANCA: Teoria european a artei i psihanaliza.Bucureti: Editura Meridiane, 2000.

- 5 noiembrie 2006: Studiile de iconografie. Iconologia. Semiotica.Structuralismul (I)

WIND,EDGAR: Warburgs Concept ofKunstwissenschaftandits Meaning for Aestethics. n PREZIOSI,DONALD(ed.):The

Art of Art History: A Critical Anthology. Oxford: OxfordUniversity Press, 1998.

PANOFSKY,ERWIN:Meaning in the Visual Arts. Garden City,New York: Doubleday Anchor Books, 1955. cap. 1Iconography and Iconology: An Introduction to the study ofRenaissance Art.

DAMISCH,HUBERT: Semiotics and Iconography. n PREZIOSI,DONALD(ed.):The Art of Art History: A Critical Anthology.Oxford: Oxford University Press, 1998.

- 12 noiembrie 2006: Studiile de iconografie. Iconologia. Semiotica.Structuralismul (II)

BAL,MIEKEBRYSON,NORMAN: Semiotics and Art History:A discussion of Context and Senders. n PREZIOSI,DONALD(ed.):The Art of Art History: A Critical Anthology. Oxford:Oxford University Press, 1998.

BARTHES,ROLAND:Semiology and the Urban. n LEACH,NEIL(ed.):Retinking Architecture. London and New York:Routledge, 1997.

BARTHES,ROLAND:The Eiffel Tower. n LEACH,NEIL(ed.):Retinking Architecture. London and New York: Routledge,1997.

ECO,UMBERTO:Function and Sign: The Semiontics ofArchitecture. n LEACH,NEIL(ed.):Retinking Architecture.London and New York: Routledge, 1997.

ECO,UMBERTO:How an Exposition Exposes Itself. n LEACH,NEIL(ed.):Retinking Architecture. London and New York:Routledge, 1997.

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19 noiembrie 2006: Workshop (I).

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Studenii vor fi mprii n mai multe grupe. Fiecare grup vasimula elaborarea unei lucrri de istoria artei n conformitatecu metoda unui autor sau a unei coli.

- 25 noiembrie 2006: Feminismul. NOCHLIN,LINDA: Why Have There Been No Women

Artists?. n EDWARDS,STEVE(ed.):Art and its Histories: AReader. New Haven and London: Yale University Press,1999.

POLLOCK,GRISELDA: Differencing, Feminism and the Canon,nDifferencing the Canon: Feminist Desire and the Writingof Arts Histories. London and New York: Routledge, 1999.

JONES,AMELIA: The Sexual Politics of The Dinner Party: ACritical Context. nEDWARDS,STEVE(ed.):Art and its

Histories: A Reader. New Haven and London: YaleUniversity Press, 1999.

- 3 decembrie 2006: Deconstructivismul. MELVILLE,STEPHEN: The Temptations of New Perspectives.

n PREZIOSI,DONALD(ed.):The Art of Art History: A CriticalAnthology. Oxford: Oxford University Press, 1998.

HEIDEGGER,MARTIN: The Origin of the Work of Art. nPREZIOSI,DONALD(ed.):The Art of Art History: A Critical

Anthology. Oxford: Oxford University Press, 1998. SCHAPIRO,MEYER: The Still Life as a Personal Object A

Note on Heidegger and van Gogh. n PREZIOSI,DONALD(ed.):The Art of Art History: A Critical Anthology. Oxford:Oxford University Press, 1998.

DERRIDA,JACQUES: Restitutions of the truth in pointing[Pointure]. n PREZIOSI,DONALD(ed.):The Art of ArtHistory: A Critical Anthology. Oxford: Oxford UniversityPress, 1998.

- 10 decembrie 2006: Modernitate, modernism i istoria artelor. FOUCAULT,MICHEL:Ce este un autor. Studii i conferine.

Cluj-Napoca: Idea, 2004. pp. 11-62. GREENBERG,CLEMENT: Avant-Garde and Kitsch. n

EVERETT,SALLY (ed.):Art Theory and Criticism. AnAnthology of Formalist, Avant-Garde, Contectualist and

Post-Modernist Thought. Jefferson, North Carolina andLondon: McFarland & Company, 1991.

EDWARDS,STEVE(ed.):Art and its Histories: A Reader. NewHaven and London: Yale University Press, 1999. pp. 211-224.

PREZIOSI,DONALD(ed.):The Art of Art History: A CriticalAnthology. Oxford: Oxford University Press, 1998. pp. 315-395.

- 17 decembrie 2006: Visual culture STURKEN,MARIACARTWRIGHT,LISA: Practices of Looking:

An Introduction to Visual Culture. Oxford; Oxford University

Press, 2001. Introduction, cap. 1 i cap. 9. sau online cap 1:http://fds.oup.com/www.oup.co.uk/pdf/bt/looking/pol-

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chapter01.pdf; pentru imagini vezi:http://www.arts.rpi.edu/~ruiz/PracticesofLooking/PracticesofLooking.htm i cap. 9:http://fds.oup.com/www.oup.co.uk/pdf/bt/looking/pol-chapter09.pdf.

MIRZOEFF,NICHOLAS(ed.): The Visual Culture Reader.London: Routledge, 1998. pp. 3-49. BENJAMIN,WALTER: The Work of Art in The Age of

Mechanical Reproduction. n EVANS,JESSICAHALL,STUART(eds.): Visual Culture: The Reader. London: SagePublications, 1999.

- 7 ianuarie 2007: Muzeologia. DUNCAN,CAROL: The Art Museum as Ritual. n PREZIOSI,

DONALD(ed.):The Art of Art History: A Critical Anthology.Oxford: Oxford University Press, 1998.

EDWARDS,STEVE(ed.):Art and its Histories: A Reader. NewHaven and London: Yale University Press, 1999. pp. 211-224. pp.302-319.

- 14 ianuarie 2007: Workshop (II) n aceast nlnire vor fi alese dou imagini care vor fi

analizate urmndu-se diferite scheme interpretative. Studeniivor fi m prii n mai multe grupe fiecare urmnd s iasume o anumit abordare metodologic.

VII. Modul de evaluare:Evaluarea se va face att n cadrul colocviului (25%) i a lucrrii finale (25%), dar ipe baza activitii din timpul semestrului (25%) precum i a evoluiei n cadrulworkshopului, care are i rolul unei verificri pe parcurs (25%).

VIII. Detalii organizatorice, gestionarea situaiilor exepionale:Prezena la seminar este obligatorie, de asemenea este foarte important participareala cele do workshop-uri, ntruct la calcularea notei finale acestea au o ponderensemnat.Elaborarea lucrrilor este obligatorie, data limit pentru predarea acestora este 1februarie ora 12.00.

Discuiile, dezbaterile i colaborrile cu ceilali studeni (n forma unor rspunsuri,replici la prezentri sau prezentri comune) sunt ncurajate i vor duce la o mai bunnelegere a subiectului. ns, orice lucrare scris care include material citat fr notede subsul care s fac trimitere la sursa original, fraze introduse fr ghilimele,informaii i idei preluate din orice alt surs (inclusiv Internet) fr trimitericorespunztoare sau lucrri care au fost elaborate n orice alt fel de ctre teri i

prezentate ca rezultate ale propriei munci vor fi considerate ca nclcare a onestitiiacademice i vor fi tratate n consecin. Plagiatul precum i orice tentativ defraudare a examinrii (copiat, notie, discuii etc) vor fi sancionate. Cazurile gravevor fi supuse ateniei Consiliului profesoral al Facultii.

IX. Bibliografia opional:

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- LEACH,NEIL(ed.):Retinking Architecture. London and New York:Routledge, 1997. (B.C.U., filiala istoria artei)

- MIRZOEFF,NICHOLAS(ed.): The Visual Culture Reader. London:Routledge, 1998. (B.C.U., filiala istoria artei)

- EDWARDS,STEVE(ed.):Art and its Histories: A Reader. New Havenand London: Yale University Press, 1999. (B.C.U., filiala istoria artei)

- PREZIOSI,DONALD(ed.):The Art of Art History: A Critical Anthology.Oxford: Oxford University Press, 1998. (B.C.U., filiala istoria artei)

- FERNIE,ERIC (ed.):Art History and Its Methods: A critical Anthology4.London: Phaidon, 1999. (B.C.U., filiala istoria artei)

- EVANS,JESSICAHALL,STUART(eds.): Visual Culture: The Reader.London: Sage Publications, 1999. (B.C.U., filiala istoria artei)

- EVERETT,SALLY (ed.):Art Theory and Criticism. An Anthology ofFormalist, Avant-Garde, Contectualist and Post-Modernist Thought.Jefferson, North Carolina and London: McFarland & Company, 1991.(B.C.U., filiala istoria artei)

- CANTOR,PETER F.: Twentieth-Century Culture: Modernism toDeconstruction. New York: Peter Lang, 1988. (B.C.U., filiala istoriaartei)