Interioare din România 3

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|n ultimul an am avut ocazia s` prezent`m \n paginile revis-tei igloo mai multe proiecte foarte bune de amenajare, iarcompeti]iile na]ionale (Anuala [i Bienala de Arhitectur`Bucure[ti din 2012) ne-au adus \n aten]ie [i alte proiectereu[ite, prin urmare am decis s` le select`m pe cele carene-au pl`cut mai mult - 13 la num`r - \ntr-un nou albumigloo best. Sunt proiecte diverse, de la interven]ii completpersonalizate \n spa]ii de mici dimensiuni la amenaj`ri decase pe dou` niveluri \ntr-un stil eclectic, imagini calde, cunote retro, dar totodat` [i locuri foarte moderne, cu designprovocator. Am remarcat, cu bucurie, preocuparea din ce \nce mai mare, mai prezent`, pentru solu]iile individualizate:arhitec]ii \[i pun amprenta pe compartimentarea locuin]elor,caut` finisaje inedite, dar mai ales gândesc, proiecteaz` [iexecut` mobilier special pentru fiecare spa]iu, \mbinândaspectele func]ionale cu cele estetice.

This last year we had the opportunity to present in thepages of igloo magazine several outstanding interiordesign projects, and since the national competitions(The 2012 Bucharest Architecture Annual and Biennial)brought to our attention several other quality projects,we decided to bring together the ones we liked themost – 13 in total – in a new igloo best album. Theseare varied projects, from highly individual interventionsin small spaces to eclectic designs for two-level homes,warm, retro-inspired environments, as well as highlymodern spaces, with a provocative design. We wereglad to notice the ever growing and ever-more presentpursuit of highly individual solutions: the architectsleave their mark on the spatial layout of homes, theyseek innovative finishing solutions and, most of all, theydevise, design and execute customized furniture foreach space, thus combining functional and aestheticaspects.

COTOR 12

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lacCOTOR 12

Coperta Interioare 3 12/12/12 2:57 PM Page 2

Board editorial / Editorial Board: Bruno Andre[oiu, Adrian Cioc`zanu

Coordonator proiect editorial / Editor: Viorica Buic`

Texte / Texts: Viorica Buic`, Ioana P`unescu, Catrinel Negru, Anca Rotar, Sabin Bor[

Traducere / English version: Anca Rotar

Fotografii / Photos: {erban Bonciocat, Cosmin Dragomir, Cornel Lazia, Radu Mala[incu, Dacian Groza

Fotografie copert` / Cover photo: Cosmin Dragomir

Paginare / Graphic design: Raluca Jipa, C`t`lin Artenie

Procesare imagine, DTP / Image Editing, DTP: Cristian David, {erban Bonciocat

Corectur` / Text editing: Andreea Amzoiu

Tip`rit la/ Printed by Masterprint SuperOffset

Bucure[ti, © igloomedia, 2012

Mul]umim arhitec]ilor, proprietarilor [i colaboratorilor care ne-au pus la dispozi]ie

toate materialele [i informa]iile necesare realiz`rii acestui album.

We would like to thank the architects, owners and collaborators who have made available for us all the materials and information making this album possible.

Descrierea CIP a Bibliotecii Na]ionale a României

Interioare din România = Romanian interiors / texte:

Viorica Buic` (coord.), Catrinel Panaite ; fotogr.:

{erban Bonciocat, Cosmin Dragomir, Corvin Cristian, ... ;

trad.: Samuel W. F. Onn. - Bucure[ti : Igloo, 2007. –

vol. ISBN 978-973-88398-3-0

Vol. 3 / pref.: Viorica Buic`; text: Viorica Buic`, Ioana P`unescu, Catrinel Negru, ... ; trad.: Anca Rotar; foto:

Cosmin Dragomir, {erban Bonciocat, Dacian Groza. - 2012. - ISBN 978-606-8026-22-0

I. Buic`, Viorica (text)

II. Panaite, Catrinel (text)

III. Bonciocat, {erban (foto.)

IV. Dragomir, Cosmin (foto.)

V. Cristian, Corvin (foto.)

VI. Onn, Samuel (trad.)

658.512.2:728.1(498)"1997/..."(084)

Toate drepturile sunt rezervate. Ele sunt protejate de legile în vigoare privitoare la dreptul deautor. Orice reproducere total` sau în detaliu, prin orice fel de mijloace de copiere sau trans-misie, este interzis` f`r` acordul editurii Igloo Media. All rights reserved. No part of this publication may be reproduced, stored in retrieval system, ortransmitted, in any form or by any means, electronic, mechanical, photocopying, recording orotherwise, without written permission of Igloo Media.

Bucure[ti, © igloomedia, 2012

03-11 inceput 12/11/12 11:06 AM Page 6

INTERIOAREdin România

Interiors from Romania

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l Viorica Buic` l Provoc`rile lui „acas`” l Prefa]` 11_11

l Square One l Apartament ACZ 12_21

l Mânadelucru l Casa M. 22_31

l Tecon l Mansarda BD 32_39

l igloo architecture l Casa G. 40_47

l Lama l Apartament V. 48_57

l Radu Grosu l Apartament \n B`neasa 58_65

l Square One l Loft \n Prim`verii 66_75

l Simona Rizzi l Casa S. 76_83

l AA Studio l Apartament EM 84_93

l Mircea Schlotter l Casa T. 94_103

l ateliercetrei l Apartament CAD 104_111

l Pianoterra l Apartament AC 112_119

l A-prim Arhitectura l Casa Varvara 120_127

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Provoc`rile lui „acas`”The Challenges of “Home”

Acum ceva vreme, discutând cu un arhitect, mi-a m`rturisit

c` prefer` s` proiecteze un imobil de birouri sau de aparta-

mente decât s` aib` de-a face cu amenajarea unei locuin]e,

cu mult mai multe ore dedicate negocierilor, finisajelor [i

alegerii/realiz`rii mobilierului.

Se pare c` designul interior nu e chiar pentru oricine. Iar când

ne restrângem la locuirea privat` anumite calit`]i devin indis-

pensabile: deschiderea [i r`bdarea pentru a \n]elege nece-

sit`]ile [i dorin]ele beneficiarului [i a gândi un spa]iu care

s`-l reprezinte [i s`-l simt` drept „acas`”, pasiunea pentru

detalii, dar \n egal` m`sur` capacitatea de sintez` care s`

asigure coeren]a [i armonia spa]iilor, creativitate pentru a

individualiza spa]iul. Este cu atât mai important s`-i apreciem

pe cei care se \ncumet` la astfel de „aventuri” [i la sfâr[it ne

dezv`luie rezultate de calitate.

Pentru c` \n ultimul an am avut ocazia s` prezent`m \n

paginile revistei igloo mai multe proiecte foarte bune de ame-

najare, iar competi]iile na]ionale (Anuala [i Bienala de

Arhitectur` Bucure[ti din 2012) ne-au adus \n aten]ie [i alte

proiecte reu[ite, am decis s` le select`m pe cele care ne-au

pl`cut mai mult – 13 la num`r – \ntr-un nou album igloo best.Sunt proiecte diverse, de la interven]ii complet personalizate

\n spa]ii de mici dimensiuni la amenaj`ri de case pe dou`

niveluri \ntr-un stil eclectic, imagini calde, cu note retro, dar

totodat` [i locuri foarte moderne, cu design provocator. Am

remarcat, cu bucurie, preocuparea din ce \n ce mai mare, mai

prezent`, pentru solu]iile individualizate: arhitec]ii \[i pun

amprenta pe compartimentarea locuin]elor, caut` finisaje

inedite, dar mai ales gândesc, proiecteaz` [i execut` mobili-

er special pentru fiecare spa]iu, \mbinând aspectele

func]ionale cu cele estetice.

{i cum anul acesta designul românesc de obiect s-a f`cut

sim]it [i v`zut \n numeroase evenimente, nu ne r`mâne decât

s` sper`m c` amenaj`rile din urm`torul album dedicat inte-

rioarelor vor fi „populate” cu cât mai multe crea]ii autohtone.

VIORICA BUIC~

A while ago, I was talking to an architect who confessedto me that he would prefer to design an office or hous-ing building instead of committing to an interior designproject, because the latter involves a lot more hoursspent negotiating, doing finishes and choosing/designingthe furniture. It looks like interior design isn’t for everyone. And whenwe narrow the field to private housing, we find that cer-tain qualities are all-important: the openness andpatience to understand the client’s needs and wishes andto design a space that fits him and where he can feel “athome”, a passion for detail, combined with the clearthinking needed in order to ensure the coherence andharmony of the spaces and the creativity needed formaking the space a unique one. Therefore, it’s all themore important to appreciate those who take on such an“adventure”, unveiling a quality product in the end. Since this last year we had the opportunity to present inthe pages of igloo magazine several outstanding interiordesign projects, and since the national competitions (The2012 Bucharest Architecture Annual and Biennial)brought to our attention several other quality projects,we decided to bring together the ones we liked the most– 13 in total – in a new igloo best album. These are var-ied projects, from highly individual interventions in smallspaces to eclectic designs for two-level homes, warm,retro-inspired environments, as well as highly modernspaces, with a provocative design. We were glad tonotice the ever growing and ever-more present pursuitof highly individual solutions: the architects leave theirmark on the spatial layout of homes, they seek innova-tive finishing solutions and, most of all, they devise,design and execute customized furniture for each space,thus combining functional and aesthetic aspects. Last but not least, since this year marked a surge in thefield of Romanian object design, we can only hope thatthe interiors presented in the next album of the serieswill, as much as possible, be “populated” with the worksof Romanian designers.

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Apartament ACZACZ Apartment

|n cazul acestei amenaj`ri, \n mod atipic, s-a pornit de la un

penthouse cu lift interior, divizat doar prin panouri din sticl`

[i perdele, pentru a se ob]ine dou` apartamente cu acces

exterior comun la scar` [i la lift. Penthouse-ul a fost restruc-

turat pragmatic \n patru camere [i dou` b`i, plus spa]ii de

depozitare [i circula]ii.

Cu excep]ia peretelui patului, \nchiderea exterioar` a livingu-

lui [i a dormitorului matrimonial este realizat` exclusiv din

sticl`, [i anume cu panouri glisante, la dimensiunea maxim`

permis` de sistemul ales, astfel \ncât interiorul s` se poat`

deschide cât mai mult spre teras`. Toate elementele verticale

– inclusiv u[ile – au \n`l]imea liber` dintre pardoseal` [i pla-

fon (2,60 metri) [i se compun cu piese cu o puternic` domi-

nant` orizontal`. Zona living-dining-buc`t`rie graviteaz` \n

jurul unei console – un corp alb, de 4 metri lungime, cu rol de

jardinier`, blat de lucru (cu depozitare dedesubt) [i loc de

luat masa. Secondat` de mobilierul pentru tv, o compozi]ie de

dreptunghiuri albe [i negre construit` \n jurul unui stâlp

relativ central al livingului, consola este totodat` accent cro-

matic, bine conturat pe structura modular` neagr` a

mobilierului buc`t`riei.

Dormitorul matrimonial [i baia fac corp comun, fiind

desp`r]ite printr-o \nchidere din sticl` clar`, secondat` de o

draperie alb`; astfel, volumului alb al consolei \n care este

sculptat lavoarul \i corespunde, la nivel formal, volumul negru

al consolei din fa]a patului. Obiectele sanitare sunt,

bine\n]eles, pe forme rectangulare; la nivel de detaliu,

rigoarea formal` a omniprezentului unghi de 90 de grade este

\ndulcit` doar de luminile perfect circulare amplasate \n pla-

fon [i de câteva elemente grafice organice – iconul negru, 2d,

al unui copac desfrunzit care se repet` simetric fa]` de o ax`

vertical`, respectiv orizontal` – \n cele dou` b`i.

This interior design project began in an atypical way,from a penthouse with an interior elevator, where theonly partitions were glass panels and floors, and ended intwo apartments with a common external access to thestairway and the elevator. The penthouse was pragmati-cally restructured into four rooms and two bathrooms,with the necessary storage areas and circulation corri-dors. Excepting the wall behind the bed, the living roomand the master bedroom enclosures are sliding glasspanels, as large as the initial context allowed, and thus,the interior is open towards the terrace. All of the verti-cal elements – including the doors – cover the full heightbetween the floor and the ceiling (2.60 m) and are set incontrast with the pronounced horizontal lines. The openspace containing the living, dining and kitchen areasgravitates around a cantilever – a white 4-meter-longshape, serving as window box, tabletop (with storagespace underneath) and seating area. Complemented bythe TV space, a composition of black and white rectan-gles built around a relatively central post inside the livingroom, the cantilever also provides a colour accent, out-lined against the black modular structure of the kitchenfurniture. The master bedroom and the bathroom appear as oneitem, being separated only by a clear glass wall, doubledby a white curtain. Thus, the white volume of the con-sole, with an embedded sink, has a formal correspondentin the black volume of the console in front of the bed.The sanitary items are, of course, rectangular. As far asdetails are concerned, the formal rigor of the ubiquitousright angle is softened only by the perfectly circular lightsembedded in the ceiling and by a few organic graphicelements – the black, two-dimensional icon of a leaflesstree, which is repeated symmetrically in relation to thetwo axes – one vertical and the other horizontal – in thetwo bathrooms.

PROIECT / PROJECT

Square One, arhitec]i/architects: Adrian Cancer, Andrei

N`stase, Sabin Dumitriu, Ionel Pascu

FINALIZAT / DELIVERED 2012

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Casa M.M. House

Proiectul reprezint` reamenajarea unei locuin]e, cu etaj [i

mansard`, ini]ial lipsit` de coeren]` atât \n organizarea

spa]iilor interioare, cât [i \n ceea ce prive[te amestecul de

materiale, texturi [i culori. Primul pas a fost astfel desfiin]area

unora dintre pere]i [i, implicit, reconfigurarea camerelor,

urmat` de realocarea func]iunilor; spre exemplu, garajul,

folosit la \nceput de proprietari ca spa]iu de depozitare, a fost

transformat \n buc`t`rie. Pe fostul amplasament al buc`t`riei,

\ntr-o zon` generoas` [i bine luminat` natural, a fost amena-

jat un nou living, cu o zon` de luat masa. |n plus, pentru a

profita cât mai mult de iluminarea de calitate, arhitec]ii au

eliminat parape]ii pentru a m`ri golurile din fa]ad`.

|n zona de noapte, dormitorul matrimonial a fost extins, ceea

ce a condus la repozi]ionarea bìi [i apari]ia unui nou spa]iu

– un dressing generos. Mansarda a fost \nchis` \n sticl` [i ilu-

minat` prin [arpant`, devenind astfel un spa]iu deschis [i

primitor, destinat lecturii.

Finisajele au fost realizate din materiale naturale, \n tonuri

calde, telurice. Pentru a crea o senza]ie de fluiditate a

spa]iului, peretele central al locuin]ei, care desparte buc`t`ria

de dining [i ajunge pân` \n living, a fost placat cu parchet.

Dincolo de rolul sù estetic, acest element separator ofer` [i

o solu]ie ingenioas` pentru problema depozit`rii, \n spatele

sù reg`sindu-se mai multe dulapuri. La mansard`, arhitec]ii

au optat pentru crearea unui efect dramatic prin contrastul

dintre sticla lucioas` [i [apa epoxidic` pe de o parte [i

draperiile grele, asem`n`toare cortinelor de teatru, pe de alta.

The project consisted in the redesign of a house with anupper floor and an attic, initially incoherent in its interiorlayout, as well as in the mix of materials, textures andcolours. Thus, the first step consisted in the dismantlingof some of the interior walls and, implicitly, the set up ofa new room layout, followed by the re-allocation of thefunctions. For instance, the garage, initially used by theowners as a storage space, was turned into a kitchen.The former kitchen, being a spacious and well-lit area,was turned into a new living room, with a dining space.Furthermore, in order to make the most of the naturallighting, the architects eliminated the parapets in orderto enlarge the façade windows. In the nighttime area, themaster bedroom was expanded, which led to the reposi-tioning of the bathroom and the emergence of a newspace – a generous closet. The attic, encased in glass, isnow lit from the roof truss, thus becoming an open, wel-coming space, destined for reading and other leisureactivities. The finishes are in natural materials in warm, earthytones. In order to create a flowing space, the house’scentral wall, that separates the kitchen from the diningspace and reaches into the living room, was covered inparquetry. Beyond its aesthetic role, this separating ele-ment also provides an ingenious solution to the problemof storage, as it hides behind it several cabinets. For theattic, the architects aimed to create a dramatic effectthrough the contrast between the polished glass and theepoxy blanket, on the one side and the heavy drapes,reminiscent of theatre curtains, on the other.

PROIECT / PROJECT

Mânadelucru, arhitec]i/architects: M`d`lina Iftimi, Dorin

{tefan Adam, Artenian Soldea


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Mansarda BDBD Attic

Acest spa]iu apar]ine unei cl`diri neoromâne[ti de la

\nceputul secolului XX [i a fost reamenajat \ntr-un stil multi-

func]ional, putându-se transforma cu u[urin]` din locuin]` \n

sediu de birouri sau galerie de art` datorit` zonelor cu

\n`l]imi mari – pân` la 4,80 m – [i luminii zenitale.

Amenajarea p`streaz` 80% din piesele originale ale [arpan-

tei: au fost desfiin]a]i câ]iva popi [i s-au \nlocuit t`lpile

acestora cu juguri metalice \nglobate \n placa de beton nou-

turnat`. Pentru rigidizarea longitudinal` a fost introdus` o

grind` de lemn cu contravântuiri, la jum`tatea \n`l]imii

spa]iului, care serve[te drept parapet al supantei nou-

proiectate [i sus]ine grinzile din lemn [i pardoseala de sticl`

a acesteia.

Pentru o rela]ie direct` cu exteriorul, au fost amplasate câte-

va ferestre Velux la nivelul ochiului, \n timp ce marea parte a

luminii incidente este zenital` [i provine de la luminatorul

vitrat de peste supanta cu pardoseal` vitrat`. Sistemul de ilu-

minat cuprinde multe piese [i solu]ii atipice: intarsii din sticl`

luminat` cu LED \n pardoseal` [i deasupra blatului buc`t`-

riei, un desen din fante luminoase pe toat` lungimea

pasarelei [i, \n b`i, proiectoare de mare putere pentru ilumi-

natul scenografic.

Cromatica se men]ine \ntr-o palet` natural`, cu structura

[arpantei din lemn \nchis la culoare, parchetul [i riflajele din

lemn \n nuan]` deschis`, planurile \nvelitorii placate cu MDF

alb mat [i inserturi de piatr` crem \n b`i [i buc`t`rii, mobilier

\n culori vesele – verde [i violet. Detaliile decorative tehno-

logice – riflaje din lemn, confec]ii metalice noi [i recondi]io-

nate (pl`ci, piuli]e [i buloane forjate manual) accentueaz`

caracterul autentic al amenaj`rii.

This space is part of a Neo-Romanian style building fromthe early 20th century and was redesigned in a multi-functional style. Thus, it can easily be turned from a liv-ing space into an office space or an art gallery, thanks tothe large heights – up to 4.80 m – and zenithal lighting.The interior design project kept about 80% of the origi-nal elements of the framework. Only a few elementswere taken out, their foundations being replaced withmetallic trimmers embedded in the new concrete plate.In order to brace the structure, the architects introduceda wooden crossbeam with anti-wind elements, whichserves as a parapet for the newly-designed split level,sustaining its wooden beams and glass floor. In order to establish a direct relationship with the exteri-or, several Velux windows were placed at eye level.Nevertheless, the lighting is mostly zenithal, through theglazed skylight overlooking the glass-floored split level.The lighting system contains many atypical elements andsolutions: LED-lit glass inlaying for the floors and thespace above the kitchen tabletop, a drawing made up oflit slots over the full length of the corridor and inside thebathrooms, powerful floodlights for scenographic light-ing. The colour scheme is based on natural shades, theframework being in dark-toned wood, the floors in light-toned wood and the envelope in matte white MDF. Thebathrooms and kitchens contain inserts in cream-coloured stone, while the furniture is in bright colours,such as green and purple. The technological details –wooden elements, new and reconditioned fittings(plates, nuts and hand-forged bolts) emphasize theauthentic character of the project.

PROIECT / PROJECT

Tecon, arhitect/architect: Bogdan Babici,

inginer/engineer: Dorin Laz`r


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Apartament VV Apartment

Arhitec]ii au primit tema acestei amenaj`ri \nc` din momen-

tul \n care apartamentul se afla \n lucru, fiind rezultatul

supraetaj`rii ultimului nivel al unui bloc nou, fapt ce le-a per-

mis o mai mare libertate \n structurarea interioarelor (care

ocup` 412 mp). Astfel, o zon` deschis` pe toat` \n`l]imea

celor dou` niveluri ale duplexului subliniaz` unitatea \ntregu-

lui ansamblu, iar \n jurul acestui spa]iu central graviteaz`

toate celelalte func]iuni; la parter, se afl` livingul cu locul de

luat masa, buc`t`ria [i dormitorul matrimonial cu dressing [i

baie, iar la etaj se g`sesc dou` dormitoare cu baie proprie, un

birou [i o camer` tehnic`. |n direct` leg`tur` cu accesul \n

apartament, dar [i cu zona central` este amplasat` [i scara

interioar`, a c`rei siluet` minimalist` constituie o linie de for]`

a amenaj`rii.

Profitând de lipsa cl`dirilor \nalte \n apropiere, apartamentul

se deschide pe cât posibil spre exterior, iar suprafe]ele vitrate

generoase [i cele \n alb amplific` spa]iul [i \l aduc \ntr-o zon`

perfect contemporan`. Nu avem \ns` de-a face cu o locuire

„septic`”, rece: lemnul folosit cu \ncredere [i obiectele retro,

accente decorative, contrabalanseaz` sticla [i liniile ei stricte.

Armonia amenaj`rii ]ine [i de alegerea finisajelor, care se

supun rigorilor geometrice impuse de structura existent`:

lemn teak pentru parchet, panouri furniruite pentru pere]i [i

plafoane, u[i furniruite, piatr` natural` [i Corian pentru b`i. |n

plus, mobilierul, conceput \ntr-un stil esen]ializat, dar cu efect

puternic, a fost \n \ntregime personalizat pentru aceast`

locuin]` [i comunic` inspirat cu celelalte texturi alese.

When the architects were given the brief for this interiordesign project, the apartment was still in the works,being the result of the addition of a new level to arecently constructed housing building, which grantedthem more freedom in designing the layout of the 412sqm space. Thus, an open area taking up the full heightof the duplex emphasizes the unity of the ensemble, allof the other functions gravitating around this space. Theground floor contains the living room and dining area, thekitchen and the master bedroom, with a closet and bath-room, while the upper level houses two bedrooms withadjoining bathroom, an office and a technical space. Theinterior staircase, whose minimalist line is one of the pro-ject’s strong points, is directly connected to the entranceand the central area. Taking advantage of the lack of tall buildings in the area,the apartment opens towards its surroundings as muchas possible, the large glazed surfaces and the use ofwhite amplifying the space and creating a flawless con-temporary image. Nevertheless, this is not a cold, “sep-tic” apartment: the generous use of wood and the retrodecorative objects counterbalance the glass and itssevere lines. The harmonious aspect is also due to thefinishes, which obey the geometrical rigor dictated bythe existing structure: teak wood for the floors, inlaidwood panels for the walls and ceiling, inlaid wood doors,natural stone and Corian for the bathrooms.Furthermore, the furniture, with its simple yet stronglines, was custom-made for this apartment and thuscommunicates in an inspired way with the other textures.

PROIECT / PROJECT

Lama, arhitec]i/architects: C`lin Radu, Dan Enache, Radu

Neni]`


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Loft \n Prim`veriiPrim`verii Loft

Acest loft, care ocup` ultimele dou` niveluri ale unei cl`diri

de locuin]e dintr-o zon` elegant` a capitalei, a fost amenajat

\ntr-un stil minimalist, cu volume continue [i fluide din Corian

alb [i accente spectaculoase din punct de vedere cromatic

sau gravita]ional – elemente în consol`, prinderi ascunse. Lor

li se adaug` suprafe]e din sticl` clar` de mari dimensiuni,

materiale contrastante – plac`ri de lemn cu textur` agitat`,

zone de plafon [i mobilier vopsite sau placate în culori

închise, care scot în eviden]` imaginea high-tech a corpurilor

de iluminat [i a sistemelor de ventila]ie.

Majoritatea func]iunilor sunt plasate la nivelul superior, în

timp ce spa]iile de la etajul inferior – home-cinema [i un dor-

mitor – beneficiaz` de o teras` generoas` [i atent aranjat`.

Zona de buc`t`rie-bar este închis` cu doi pere]i din sticl`

f`r` montan]i [i se distinge prin mobilierul din Corian, dar [i

prin masa cu finisaj de lemn într-o consol` spectaculoas`

raportat` la grosimea blatului. De partea opus` a vitrajului,

dincolo de scara care coboar` la nivelul inferior cu parapetul

transformat în jardinier`, se afl` livingul [i diningul mobilate

cu piese albe [i simple. Diferitele scenarii de iluminare LED

recompun de fiecare dat` spa]iul, oferindu-i o not`

scenografic`.

În leg`tur` direct` cu zona de zi se afl` baia dormitorului

principal, cu volumul impresionant al c`zii-monobloc închise

cu sticl` expus între pere]ii plini ai livingului. O jaluzea alb`

tip rulou, amplasat` deasupra peretelui de sticl`, ofer` \ns`

posibilitatea obtur`rii vizibilit`]ii între cele dou` zone. Livingul

de la etajul inferior, amenajat ca home-cinema, este de

asemenea mobilat cu piese puternice, iar mobilierul de

depozitare care închide spa]iul de sub scar` este rezolvat cu

rafturi din lemn [i rame metalice de adâncimi diferite, \ntr-o

structur` organic`.

Taking up the two topmost levels of a housing building inan elegant area of Bucharest, this loft was designed in aminimalist style, with fluid, continuous shapes in whiteCorian and spectacular chromatic or gravitationalaccents – suspended elements, hidden nips. These arejoined by large surfaces in clear glass, wood claddingswith a bustling texture, ceiling areas and furniture piecespainted or clad in dark colours, the latter emphasizingthe high tech aspect of the lighting objects and ventila-tion systems. Most of the functions are placed on theupper level, while the lower level rooms – a home cine-ma and a bedroom – enjoy a generous, carefullydesigned terrace. The kitchen and bar area is enclosedby two glass walls with no stanchions, and stands outthrough the Corian furniture and the wood clad tablethat forms a spectacular cantilever in relation to thewidth of the tabletop. Opposite the glass walls, beyondthe staircase that leads to the lower level, with its railingturned into a window box, are the living room and diningroom, furnished with white, simple pieces. Each of thevarious LED lighting schemes re-composes the space,bringing a touch of the theatrical. Directly connected to the living area is the master bed-room’s bathroom, with the impressive volume of themonolithic bathtub, enclosed in glass and exposedbetween the solid walls of the living room. Nevertheless,a white roller blind, placed above the glass wall, offersthe possibility of obstructing the visibility between thetwo areas. The living room at the lower level, designed asa home-cinema, is also furnished with strong, highly indi-vidual pieces. The storage area that encloses the spaceunder the stairs consists in wooden shelves framed inmetal, in varying dimensions, making up an organicstructure.

PROIECT / PROJECT

Square One, arhitec]i/architects: Adrian Cancer Zean`,

Sabin Dumitriu, Mirela Ni]u, Iulia Ionesu


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Apartament EMEM Apartment

De[i folosit \n numeroase proiecte de design interior, princi-

piul cutiei complet albe, unul dintre cele mai apreciate instru-

mente ale arhitecturii moderne, \[i g`se[te \n amenajarea

acestui mic apartament bucure[tean, desf`[urat pe dou`

niveluri, o ilustrare spectaculoas`. Func]ionând ca back-

ground pentru culorile puternice ale mobilierului [i

\mbr`când toate texturile posibile (r`[in`, mochet`, Corian,

zugr`veli sau MDF), albul este completat de suprafe]e

generoase de oglind`, care amplific` atât spa]iul, cât [i

contrastul.

Parterul are zonele func]ionale definite pe pardoseala din

r`[in`, iar piesele de mobilier intervin ca accente cromatice.

Golul central, marcat de singura lamp` aparent` a casei

(varianta alb` a Teoremei din colec]ia Foscarini, un obiect de

mari dimensiuni, al c`rui design rezoneaz` formal cu drep-

tunghiurile corpurilor de bibliotec`), este spa]iul spre care

converg elementele principale ale designului: peretele placat

cu oglind` al grupului sanitar de la parter, ro[ul [i negrul

mobilierului, peretele de sticl` al du[ului b`ii de la etaj [i

scara interioar`, alb`, element realizat la comand`. Dou` cor-

puri de bibliotec`, realizate din MDF vopsit \n alb [i corai, cu

benzi de led dispuse pe spate, sunt amplasate, decalat, pe doi

dintre pere]ii laterali, delimitând cromatic zona de zi. Grupul

sanitar, singura compartimentare a acestui nivel, este placat

cu oglind`, iar la interior fiecare detaliu a fost ales cu mare

grij`.

Nivelul superior este dominat cromatic [i vizual de baie:

proiectat` pe pere]i [i pardoseal` din Corian, aceasta este

animat` de coraiul aprins al dulapurilor suspendate dispuse

sub blatul celor dou` lavoare, amplasate lâng` cabina de du[

care porne[te chiar din marginea golului sc`rilor.

Despite the fact of its being used in numerous interiordesign projects, the white box principle, one of the best-known instruments of modern architecture, is spectacu-larly represented in the design of this small, two-levelBucharest apartment. Functioning as a background forthe richly-coloured furniture and present in all possibletextures (resin, carpeting, Corian, painting or MDF), thecolour white is complemented by generous mirror sur-faces, enhancing the space, as well as the contrast. On the ground level, the functional areas have resinfloors and the furniture pieces bring a touch of colour.The central space, marked by the apartment’s only visi-ble light source (the white version of the Teorema Lampfrom the Foscarini collection, a large piece whose designresonates with the rectangular bookcases), is the focalpoint for the main elements of the interior design project:the mirror wall inside the ground floor bathroom, the redand black furniture, the glazed wall of the shower cabinon the first floor and the white, custom-made interiorstaircase. Two MDF bookcases, one in white and theother in coral, with LED strips on the back, are placedagainst two of the lateral walls, marking the daytimearea. The bathroom, the only enclosed space on theground level, is mirrored and equipped with hand-pickeditems. The upper level is visually and chromatically dominatedby the large bathroom: with its Corian walls and floor,this room is brought to life by the bright coral colour ofthe suspended cabinets placed under the twin sinks,themselves placed next to the shower cabin that startsright at the edge of the stairwell.

PROIECT / PROJECT

AA Studio, arhitec]i/architects: Alex Adam, Roger Pop,

Monika Koryczan


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Casa T.T. House

Aceast` amenajare exuberant` transform` spa]iul \ntr-un

univers paralel cu caracter oniric, independent de lumea

exterioar`, un loc unde arhetipurile cromatice [i stilistice

coexist` non[alant [i nea[teptat, elemente baroce interpre-

tate a[ezându-se lâng` inserturi pop-art, high-tech [i

moderniste. Materialele naturale sunt utilizate \n mod sur-

prinz`tor, cu efecte puternice: peretele din pl`ci de lemn

rotite la 45 de grade destabilizeaz` echilibrul gravita]ional,

pardoselile cu aspect tridimensional transform` planul de

c`lcare \ntr-o nou` fa]ad`, \n timp ce lumina LED \n culori

intense schimb` total percep]ia cromatic`.

Obiectele supradimensionate de tipul vazelor [i al lam-

padarelor dau amenaj`rii o scar` relativ`, mic[orând

mobilierul din jurul lor, iar texturile cu personalitate – materi-

alele stil oglind`, satinate, din piele de crocodil sau tapi]erie,

desenele din mozaic (conven]ionale, vegetale sau atipice

precum supereroi din benzi desenate) alc`tuiesc un fundal

fantastic, cu nenum`rate perspective.

Proiectul \[i p`streaz` \ns` elegan]a [i coeren]a prin alegerea

câte unui element dominant \n fiecare spa]iu: fie un obiect

sculptural, fie un accent de culoare c`ruia i se subordoneaz`

celelalte finisaje. Caracterul unitar este subliniat prin

preferin]a pentru formele curbe, care se reg`sesc ca obiecte/

decupaje/ piese de mobilier \n aproape toate spa]iile casei.

Corpurile de iluminat acoper` o palet` func]ional` [i vizual`

foarte larg`, de la plafoane translucide lise [i torsionate de tip

barrisol la lumini tehnologice (reflectoare, spoturi [i proiec-

toare), suspensii glamour marca Artemide, rafturi [i ni[e

luminoase, permi]ând o varietate de combina]ii scenografice

care accentueaz` atmosfera ireal`.

This exuberant interior design project transforms thespace into a dream-like parallel universe, independentfrom the outside world, a place where colour and stylearchetypes co-exist in a nonchalant and unexpected way,with baroque-inspired elements placed alongside pop-art, high tech and Modernist elements. Natural materialswere used in surprising ways, with a big impact. Thewood panel wall tilted at a 45° angle de-stabilizes thegravitational balance, the three-dimensional floors trans-form the lower plane into a new façade, and the bright-coloured LED lights completely alter the chromat-ic perception.Several oversized objects such as vases and floor stan-dard lamps change the perception of the space, dwarf-ing the furniture pieces around them, and the highly indi-vidual textures – reflective materials, satin, crocodileleather, tapestries, mosaics (classical, vegetal or atypical,such as those portraying comic book superheroes) makeup a fantasy background, with countless perspectives. Yet the project remains elegant and coherent throughthe choice of a dominant element for each interior:either a sculptural object or a colour accent that subduesall the other textures. The unitary aspect is emphasizedthrough the choice of curving shapes, present in theform of objects, cut-outs or furniture pieces throughoutthe entire apartment. The lighting objects cover a very wide functional andvisual palette, from smooth, tense and translucent bar-risol ceilings, to technical lighting (floodlights, spotlightsand projectors), to glamorous suspended objects fromArtemide, to illuminating wall niches and shelves, thuscreating a wide variety of scenographic combinationsthat emphasize the surreal mood.

PROIECT / PROJECT

arhitect/architect: Mircea Schlotter


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Apartament CADCAD Apartment

|n cazul acestui apartament de 54 mp din Cluj, lipsa de efi-

cien]` [i confort din construc]ie a impus g`sirea unor solu]ii

realist-func]ionaliste de regândire a spa]iului interior [i de

compartimentare a ansamblurilor de mobilier, precum [i de

utilizare cât mai inspirat` a luminii naturale (având \n vedere

[i orientarea pe col]ul sud-estic al cl`dirii). Dac` singura

modificare a partiului a fost deplasarea zidului dintre dormi-

tor [i coridor pentru a permite încastrarea unui dulap cu

acces direct din hol, restul schimb`rilor au fost aduse pla-

fonului [i instala]iilor electrice, pozi]iei caloriferelor [i insta-

la]iilor sanitare, precum [i unor elemente de detaliu cum ar fi

corpurile de iluminat, profilul din aluminiu perimetral, utilizat

la zona de întâlnire între pere]i [i pardoseal` pentru încas-

trarea plintei din lemn, [i ridicarea u[ilor pe întreaga în`l]ime

a apartamentului, f`r` toc [i pervazuri la partea superioar`.

Finisajul pardoselii – lemn masiv de salcâm aburit, folosit

inclusiv în baie, furnirul din stejar b`i]uit utilizat la finisarea

u[ilor [i a mobilierului creeaz` o continuitate a spa]iilor.

Individualizarea a fost ob]inut` prin folosirea unor culori

diferite: ro[u pentru coridor, violet-bordeaux pentru baie,

verde-oliv pentru buc`t`rie [i verde pentru dormitor. Doar

zona de zi [i locul de luat masa au devenit [i locul de întâl-

nire al tuturor culorilor.

Minimalismul [i dispunerea atipic` a mobilierului, determi-

nat` de faptul c` pe dou` din cele patru laturi ale aparta-

mentului exist` ferestre pe toat` în`l]imea, contribuie la

degajarea [i utilizarea maxim` a spa]iului.

In the case of this 54 sqm Cluj apartment, the initial lackof efficiency and comfort led to several realistic andfunctional solutions for the reconfiguration of the internallayout and the efficient grouping of the various objectsand furniture pieces, as well as for an efficient use of nat-ural light (considering that the apartment is situated onthe South-Eastern corner of the building).While the only layout change consisted in the displace-ment of the wall between the bedroom and the corridor–, in order to allow the introduction of a closet, accessedfrom the corridor –, the majority of the changes con-cerned the ceiling and electrical installations, as well asmoving the pipes and sanitary installations. Other detailelements were introduced, such as the lighting objectsand the lateral aluminum profile, used at the meetingpoint between the walls and the floor, in order to insertthe wood plinth. The new doors rise from floor to ceiling,with no cases or platbands. The floors are in massiveacacia wood, which was also used in the bathroom. Thescoured oak plywood used for the doors and furnitureensures the continuity of the interiors. The highly individ-ual aspect was obtained through the use of differentcolour schemes: red for the corridor, Bordeaux purplefor the bathroom, olive green for the kitchen and greenfor the bedroom. The living room and dining areabecame the meeting places for all these colours. The minimalist aspect and the atypical display of the fur-niture –, due to the fact that two of the apartment’s foursides feature full-height windows –, create an open,highly functional space.

PROIECT / PROJECT

ateliercetrei, arhitec]i/architects: Paul-Mihai Moldovan,

Florin-Vasile Laz`r


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Apartament ACAC Apartment

|n amenajarea acestui apartament din zona de nord a

Bucure[tiului, cu trei camere [i o suprafa]` total` de aproxi-

mativ 110 mp, s-au urm`rit recompartimentarea spa]iilor

]inând cont de nevoile beneficiarei [i ob]inerea unei imagini

feminine, eclectice. A rezultat o locuin]` de tip open space, cu

o generoas` zon` de zi [i un dressing pe m`sur`, cu acces

din dormitor.

Finisajele, piesele de mobilier [i accentele de culoare creeaz`

un spa]iu cald, de o elegan]` atemporal`, cu mici accente

ludice. Aspectul fashion este contrabalansat de curgerea

organic` a liniilor curbe ce caracterizeaz` mobilierul, cu un

oarecare aer retro. Al`turarea dintre diferite stiluri, texturi [i

culori este relaxat`, juc`u[`, f`r` a ajunge \ns` \n sfera frivo-

lit`]ii. Astfel, liniile [i obiectele clasice stau \n mod inspirat

al`turi de cele moderne, iar culorile tari – precum galbenul [i

ro[ul – dialogheaz` cu cele neutre. La nivel de texturi,

suprafe]ele lucioase din r`[in` epoxidic` [i sticl` formeaz` un

contrast pl`cut cu materialele calde, cum ar fi lemnul \nchis

la culoare folosit pentru podele, obiectele din rafie [i draperi-

ile bogate, luxuriante. Totul, pân` \n cel mai mic detaliu, a fost

gândit pentru a surprinde [i a \ncânta, de la rama elaborat` a

oglinzii din living la originala lamp` din dormitor a c`rei baz`

este realizat` din c`r]i [i a fost conceput` special pentru

acest loc, ca multe alte elemente (buc`t`ria [i u[ile interioare

au fost [i ele personalizate). Baia principal` a locuin]ei este \n

\ntregime alb`, \ns` imaginea rece [i riguroas` este \ndulcit`

de prezen]a tablourilor [i a pieselor de mobilier ce amintesc

de stilul provensal.

For the design of this three-room apartment with a totalsurface of approximately 110 sqm, situated in the north-ern area of Bucharest, the architects aimed to generatea new spatial layout, based on the client’s needs, and tocreate an eclectic, feminine environment. The result is ahome with an open space structure, a generous livingarea and a spacious closet, accessed from the bedroom. The finishes, furniture pieces and colour accents createa warm, elegant and timeless space, with several small,playful accents. The high fashion image is counterbal-anced by the organic flow of the curved lines of theretro-inspired furniture. The juxtaposition of differentstyles, textures and colours is relaxed and playful, with-out being frivolous. Thus, classical lines and objects areingeniously placed alongside modern ones, and strongcolours – such as yellow and red – communicate withneutral ones. As far as the textures are concerned, theglossy epoxy resin and glass surfaces establish a pleas-ant contrast with warm materials such as the dark-tonewood used for the floors, the raffia objects and the rich,luxurious drapes. Everything, up to the smallest detail,was designed to surprise and captivate, from the elabo-rate frame of the living room mirror to the original bed-room lamp, whose base is made from books, and whichwas custom-made for this apartment, as well as manyother elements (the kitchen and interior doors are alsocustom-made). The main bathroom is entirely white, butits cold and rigorous image is tempered by the artworkand the Provencal-style furniture items.

PROIECT / PROJECT

Pianoterra, arhitect/architect: Alina V\lcu


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|n ultimul an am avut ocazia s` prezent`m \n paginile revis-tei igloo mai multe proiecte foarte bune de amenajare, iarcompeti]iile na]ionale (Anuala [i Bienala de Arhitectur`Bucure[ti din 2012) ne-au adus \n aten]ie [i alte proiectereu[ite, prin urmare am decis s` le select`m pe cele carene-au pl`cut mai mult - 13 la num`r - \ntr-un nou albumigloo best. Sunt proiecte diverse, de la interven]ii completpersonalizate \n spa]ii de mici dimensiuni la amenaj`ri decase pe dou` niveluri \ntr-un stil eclectic, imagini calde, cunote retro, dar totodat` [i locuri foarte moderne, cu designprovocator. Am remarcat, cu bucurie, preocuparea din ce \nce mai mare, mai prezent`, pentru solu]iile individualizate:arhitec]ii \[i pun amprenta pe compartimentarea locuin]elor,caut` finisaje inedite, dar mai ales gândesc, proiecteaz` [iexecut` mobilier special pentru fiecare spa]iu, \mbinândaspectele func]ionale cu cele estetice.

This last year we had the opportunity to present in thepages of igloo magazine several outstanding interiordesign projects, and since the national competitions(The 2012 Bucharest Architecture Annual and Biennial)brought to our attention several other quality projects,we decided to bring together the ones we liked themost – 13 in total – in a new igloo best album. Theseare varied projects, from highly individual interventionsin small spaces to eclectic designs for two-level homes,warm, retro-inspired environments, as well as highlymodern spaces, with a provocative design. We wereglad to notice the ever growing and ever-more presentpursuit of highly individual solutions: the architectsleave their mark on the spatial layout of homes, theyseek innovative finishing solutions and, most of all, theydevise, design and execute customized furniture foreach space, thus combining functional and aestheticaspects.

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Interioare din România 3

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