Fotojurnalism_concepte compozitionale

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_________________________________________________________________________________________________________________ Fotojurnalism - sandrabardan.ro | 2015 Fotojurnalism concepte compoziționale

description

concepte compozitionale ale fotojurnalismului

Transcript of Fotojurnalism_concepte compozitionale

Page 1: Fotojurnalism_concepte compozitionale

_________________________________________________________________________________________________________________ Fotojurnalism - sandrabardan.ro | 2015

Fotojurnalismconcepte compoziționale

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Centrul de interes(are imaginea de mai jos un centru de interes?)

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Centrul de interes(unde este plasat acel centru de interes?)

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Compoziţie:regula treimilor

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Compoziţie:regula treimilor

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Compoziţie: regula treimilor

2013, Contemporary Issues, 3rd prize stories, Aaron HueyOglala youths hold an inverted flag as a symbol of defiance, to commemorate a 1975 shoot-out between American Indian Movement (AIM) activists

and the FBI, in which two agents and one AIM member died.

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Compoziţie:direcţia mişcării

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Compoziţie:linii de forţă

Redau forme, sugerează mişcarea sau construiesc relaţii.

�Verticale: putere, majestuos�Orizontale: pace, calm�Diagonale: dinamică, tensiune�Curbe: graţie, frumuseţe, natură

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2013, Contemporary Issues, 1st prize singles, Micah AlbertA woman sits on bags of waste she has salvaged, at the Dandora municipal dump, outside Nairobi, Kenya. She said that she enjoys looking at books, even industrial catalogues, as a break from picking up garbage.

Compoziţie: linii de forţă

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2012, Spot News, 3rd prize stories, Eduardo Castaldo Towards the end of January, people in Egypt staged mass protests against the rule of their own leader, President Hosni Mubarak.

Compoziţie: linii de forţă

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2012, Sports, 3rd prize singles, Henrik Brunnsgård BASE jumper Johannes Dagemark takes a leap off a 150-meter-high wind turbine in Skara, Sweden.

Compoziţie: linii de forţă

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Compoziţie: contrast

1980, Mike Wells, World Press Photo of the YearA starving boy and a missionary.

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Compoziţie: ritm/ repetiţie

2003, Tim Clayton, 2nd prize, Arts and EntertainmentBallerinas of the Australian Ballet School exercise at the barre. The school shares premises with the Australian Ballet Company,

so aspiring dancers can witness first-hand the work of professionals as they prepare for a production.

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2003, Tim Clayton, 2nd prize, Arts and EntertainmentBallerinas of the Australian Ballet School exercise at the barre. The school shares premises with the Australian Ballet Company,

so aspiring dancers can witness first-hand the work of professionals as they prepare for a production.

Compoziţie:echilibru simetric/ asimetric

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Compoziţie: echilibru simetric/ asimetric

1996, Francesco Zizola, World Press Photo of the YearLandmine victims in Kuito, a town where many people were killed and traumatized during the civil war. To date some 70,000

Angolans, 8,000 of them children, have been disabled by exploding mines.

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Cadraj/ planuri

Octavian Tibăr, Revista Flacăra

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Cadraj/ planuri

Octavian Tibăr, Revista Flacăra

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Cadraj/ planuri

Octavian Tibăr, Revista Flacăra

Plan de ansambluLong shot

Plan întregFull shot (figure shot, complete view, medium long shot)

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Cadraj/ planuri

Octavian Tibăr, Revista Flacăra

Plan americanAmerican shot (3/4 shot)

Plan mediuMedium shot

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Cadraj/ planuri

Octavian Tibăr, Revista Flacăra

Prim plan/ portretClose-up

Plan detaliuItalian shot (extreme close-up)

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Cadraj/ planuricontrolul planurilor

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Cadraj/ planuri: spaţiu negativ

2013, Sports Action, 3rd prize singles, Wei ZhengA member of the Australian synchronized swimming team competes at the Olympic Games in London, on 10 August.

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Cadraj/ planuri: spaţiu negativ

fără spaţiu negativ

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Spaţiu/ profunzime de câmp2D/ 3D

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Spaţiu/ profunzime de câmp2D/ 3D

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Spaţiu/ profunzime de câmpperspectivă/ peisaje

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Spaţiu/ profunzime de câmpfocus/ centru de interes

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Spaţiu/ profunzime de câmpfocus/ centru de interes

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Unghi/ perspectivă

Octavian Tibăr, Revista Flacăra

Plongé Contra-Plongé

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Unghi/ perspectivă

Octavian Tibăr, Revista Flacăra

Perspectiva în zbor de pasăre

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Unghi/ perspectivă

Benny Lam/Society for Community Organization, Cramped living conditions in Hong Kong

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Unghi/ perspectivă

Benny Lam/Society for Community Organization, Cramped living conditions in Hong Kong

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Unghi/ perspectivă

Benny Lam/Society for Community Organization, Cramped living conditions in Hong Kong

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Lumină/ ecleraj

2013, Sports Feature, 2nd prize stories, Denis RouvreSumo wrestling in Japan has a tradition that dates back centuries, yet the

sport—which demands total dedication and extreme rigor—is attracting the lowest number of young recruits for more than half a century.

2013, Staged Portraits, 3rd prize singles, Anna BedyńskaZuzia is a girl with albinism, and attends a school for partially sighted children in Warsaw. She dreams of

meeting someone like herself.

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Lumină/ eclerajsurse

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Lumină/ eclerajintensitate, calitate, direcţie

Calitate: „hard“ (spotlight, far de maşină, bec, lumina soarelui) vs „soft“ (zi noroasă, lumină fluorescentă)Hard: direcţională, umbre puternice, zone luminoase clar delimitate şi strălucitoare.Sugereză dramă, putere, acţiune, tensiune.Soft: difuză, egală ca intensitate, diferenţe mici între zonele luminate şi cele umbrite, culori desaturate.Sugereză calm, pace, monotonie, senzualitate.

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Lumină/ eclerajintensitate, calitate, direcţie

Direcţia: evidenţiază forma, volum şi textură.Frontală, dintr-o parte, din spate, ascendent, descendent

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Cromatică

Contrastul valoric Contrastul caloric, de cald-rece Contrastul culorii în sine

Contrastul complementarelor Contrastul cantitativ Contrastul calitativ

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Tema 1 - Fotojournalism Concepte compoziţionale

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Concepte compoziţionaleCompositional concepts

1. Regula treimilor/

2. Linii de forţă/

3. Repetiţii/

4. Spaţiu negativ/

5. Plongé/

6. Contra-plongé/

Rule of Thirds

Leading Lines

Repetition of Form

Negative space

High Angle (Eagle Eye)

Low Angle (Worm's Eye)