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  • Gra!kai SzemleIII. Szkelyfldi Gra!kai BiennleSepsiszentgyrgy, 2014

    INTEGRUMA teljessg kreatv er

    Contemplaii Gra!ce Bienala de Gra!c din inutul Secuiesc, ediia a III-aSfntu-Gheorghe, 2014

    INTEGRUMPlenitudinea e puterea creatoare

    Graphics Review 3rd Graphic Art Biennial of Szeklerland Sfntu Gheorghe, 2014

    INTEGRUMCompleteness is creative power

    Szervezk / Organizatori / Organizers

    Trsszervezk / Coorganizatori / Co-Organizers

    A biennle fvdnke: Kelemen Hunor, a Romniai Magyar Demokrata Szvetsg elnke, Romnia volt kulturlis minisztere. Evenimentul este organizat sub patronajul D.-lui Kelemen Hunor, preedintele Uniunii Democrate Maghiare din Romnia, fos-tul ministru al Culturii. / The main patron of the biennial is Hunor Kelemen, president of Democratic Alliance of Hungarians in Romania, former Minister of Culture, Romania.

    Munkatrsak / Colaboratori / Collaborators:Farkas Anna, Imreh Marton Istvn, Jakab gnes, Kassay L. Pter, Koter Vilmos, Siklodi Zsolt, Simon Rka, Szraz Anna, Szts Papp Zsuzsa, Pieldner Judit, Pieldner Martin, Rszeg Imola, Tusa Irn, Vcsi Nagy Zoltn

    Nyomda / Tiprit de / Printed by: ARTprinter Studio

    Contemplaii Grafice III.ISBN 978-606-8598-08-6

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    Dragi iubitori de art!

    Kedves Mvszetkedvelk!

    Dear Art Enthusiasts!

    Permitei-mi s afirm chiar de la nce-put c Bienala de Grafic din inutul Secuiesc este una dintre cele mai pre-uite evenimente artistice locale. La acest eveniment putem s ne gndim numai cu o anumit implicare perso-nal, cu care am putea spune cu o uoar exagerare o persoan i pri-vete propriul copil.

    Pentru noi orice eveniment este important care vizeaz inutul Secuiesc bineneles m refer la acelea la naterea crora am asistat deoarece acestea nseamn ceva n plus n viaa de zi cu zi a comunitii noastre. Succesul Bienalei de Grafic din inutul Secuiesc se datoreaz n primul rnd entuziasmului profesio-nitilor, iar sarcina politicienilor este s creeze posibilitate, cadru i sprijin pentru realizarea unei astfel de inii-ative. Ne face plcere s facem acest lucru, fiindc sosesc lucrri artistice de calitate superioar pentru concurs.

    Recolta ar face fa oriunde n lume, ncepnd de la Bilbao pn la Viena.

    Acest eveniment pune n micare ntregul inutul Secuiesc, dar sfera

    Let me start with the idea that the Graphic Art Biennial of Szeklerland is one of our most cherished artistic events at home. We can only think of this event with such personal involve-ment with which with a little exag-geration one looks at his own child.

    Every event that concerns the whole Szeklerland is important for us, espe-cially those at whose birth we were present, as in everyday life they con-stitute a real surplus for the com-munity. However, the success of the Graphic Art Biennial is mostly due to the enthusiasm of the profession and it is the task of politicians to provide an opportunity, framework and sup-port for such an initiative. We do all this with pleasure as we receive art-works of high standard, which would meet the expectations anywhere in the world, from Bilbao to Vienna.

    This event concerns the whole Szeklerland however, the pool of applicants is much wider; they come from all over the world. Of course, we are aware of the fact that the free-dom of inspiration and creative urge

    Engedjk meg, hogy rgtn az elejn leszgezzk: a Szkelyfldi Grafikai Biennle egyike a legddelgetettebb itthoni mvszeti esemnyeinknek. Erre a rendezvnyre csakis olyasfajta szemlyes rintettsggel tudunk gon-dolni, amilyennel kis tlzssal lve az ember a sajt gyerekre tekint.

    Fontos szmunkra minden olyan ese-mny, amely a teljes Szkelyfldet rinti termszetesen azok, amelyek ltrejttnl bbskodtunk , hiszen a mindennapokban igazi tbbletet jelentenek kzssgnknek. A Szkelyfldi Grafikai Biennle sikere azonban elssorban a szakma lelke-sedsnek ksznhet, a politikusok feladata, hogy lehetsget, keretet, tmogatst nyjtsanak egy-egy ilyen kezdemnyezshez. Mindezt szvesen tesszk, hiszen sznvonalas munkk rkeznek. A terms Bilbatl Bcsig brhol meglln a helyt.

    Szkelyfld egszt megmozgatja ez a rendezvny m a plyzk kre sokkal szlesebb, k szerte a vilgbl rkeznek. Termszetesen tudjuk, hogy a mvszek inspircis szabadsga,

  • 6 7

    aplicanilor este mult mai larg, acetia sosesc din ntreaga lume. Bineneles cunoatem faptul c libertatea de inspiraie, impulsul creativ i motiva-ia artitilor este ntotdeauna ceva universal. Susinerea artelor plastice este o responsabilitate pe care o vom duce la ndeplinire am folosit forma de plural n mod deliberat, pentru c aceasta nu poate fi sarcina unei sin-gure persoane. De muli ani dorim ca inutul Secuiesc s ajung pentru muli ani ntr-o poziie de lider la nivel mondial, iar pentru acest lucru este necesar ncurajarea talentelor, n toate domeniile ale vieii.

    Suntem ncreztori c cea de-a treia ediie a Bienalei de Grafic din inutul Secuiesc este nc un pas pe aceast cale i care reprezint ceva n plus pen-tru noi toi. La fel ca n anii precedeni, i n acest an ne cucerete multitudi-nea i frumuseea lucrrilor primite.

    V dorim distracie plcut!

    alkotsi ksztetse, indttatsa mindig univerzlis. A kpzmvszet prto-lsa tovbbra is olyan felelssgtel-jes feladat, amelynek eleget fogunk tenni a megfogalmazs szndkosan tbbes szm, hiszen nem csupn egy ember feladata. Szkelyfldet hossz vek ta s hossz vtizedekre a vilg lmeznyben kvnjuk ltni: ehhez az let brmely terletn a tehetsg sz-tnzsre van szksg.

    Bzunk abban, hogy a III. Szkelyfldi Grafikai Biennle jabb lps ezen az ton, amely mindannyiunk szmra tbbletet jelent. Akrcsak az elmlt vekben, idn is jra elvarzsol a ber-kezett mvek tmkelege s szpsge.

    Kellemes kikapcsoldst kvnunk!

    of artists is always universal. The patronage of fine arts continues to be a responsible task which we propose to fulfill the formulation is deliber-ately in plural as it is not only the task of one single person. We wish to see Szeklerland, for many years so far and for long decades ahead, in the van-guard of the world: for this there is a need to encourage talent in any field of life.

    We are confident that the 3rd Graphic Art Biennial of Szeklerland is another step in this path, which represents a surplus for all of us. As in previous years, this year we are charmed again by the multitude and beauty of the artworks received.

    Enjoy the event!

    Tams SndorKovszna Megye Tancsnak elnke / Preedinte al Consiliului Judeean Covasna / President of Covasna County Council

    Integrum

    Integralitate, am putea spune refe-rindu-ne la motoul bienalei, dar dac urmm ciclicitatea artei, atunci putem defini Bienala de Grafic din inutul Secuiesc din ce n ce mai mult ca fiind un mediu integrativ, ntr-o continu micare ciclic.

    Lucrrile primite confirm sau ncearc s realizeze ideea pe care am formu-lat-o n rezumatul actualei bienale, potrivit creia scopul ei este de a al-tura elementele locale lng cele uni-versale, totodat de a defini n acest mod locul eforturilor grafice nscute n regiune, precum i n alte pri ale lumii, n cadrul tendinelor globale, att n termeni de grafic tradiional ct i n cea experimental. La bienal s-au nscris n total 336 de artiti, cu 783 de creaii, din 32 de ri. Majoritatea apli-caiilor provin din Ungaria i Romnia, dar paleta este ntregit i de ri nde-prtate, precum Egipt, Coreea, China, Indonezia sau Iran.

    Ambele categorii de aplicaie s-au bucurat n aceeai msur de inte-res: la categoria de grafic tradiio-nal s-au prezentat 166 de artiti, iar

    Integrality, we could say referring to the motto, but if we follow the cycli-city of art, then we can define the Graphic Art Biennial of Szeklerland more and more as an integrating medium in circular motion.

    The submitted artworks confirm or try to accomplish the idea that we for-mulated in the synopsis of the pre-sent biennial, according to which the aim of the biennial is to place side by side the local and the universal, and in this way to define the place of graphic endeavours born in the region as well as in other parts of the world within global trends, in terms of both tradi-tional and experimental graphics. 336 artists submitted their applications with 783 artworks, from 32 countries. The majority of the applications were sent from Hungary and Romania, how-ever, there also appear on the palette such distant countries as Egypt, Korea, Canada, Indonesia and Iran.

    The two announced application cate-gories met equal interest: 166 applica-tions were submitted in the category of traditional graphics and 170

    Teljessg, mondhatnnk a mottra utalva, de ha a mvszet ciklikussgt kvetjk, akkor mindinkbb integrl, krkrs mozgsban lev mdiumknt definilhatjuk a Szkelyfldi Grafikai Biennlt.

    Azt a felvetst, amit a jelenlegi bien-nle szinopszisaknt kijelentettnk, miszerint a biennle clkitzse egyms mell helyezni a loklisat az univerzlissal, s ezen keresztl meg-keresni, meghatrozni a trsgben, de a vilg ms tjain megszlet grafikai trekvsek helyt is a globlis tren-dekben, gy a hagyomnyos, mint a ksrleti grafika vonatkozsban, a berkezett alkotsok igazoljk, vagy megprbljk kiteljesteni. A bienn-lra sszesen 336 mvsz nevezett be 783 alkotssal, a vilg 32 orsz-gbl, legtbben Magyarorszgrl s Romnibl, de a nevezsi palettn olyan tvoli orszgok is kpviseltettk magukat, mint Egyiptom, Korea, Kna, Indonzia vagy Irn.

    A kt meghirdetett plyzati kateg-rit hasonl rdeklds vezte: hagyo-mnyos grafika kategriba 166-an,

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    ksrleti grafika kategriba 170-en neveztek be, de voltak olyan alkotk is, akik mindkt szekciba kldtek be plyamunkt. Az elbbibe szm szerint 387, az utbbiba 396 alkots rkezett be. A nemzetkzi sszettel, grafi-kusmvszekbl, egyetemi tanrokbl ll zsri 228 mvet vlogatott be a szemlre. Ezen adatokra tmaszkodva joggal kijelenthetjk, hogy a Szkelyfldi Grafikai Biennle az orszg legna-gyobb ilyen jelleg kpzmvszeti versenyv, ren